Visual artists Aïcha Snoussi (Tunisia) and Alida Rodrigues (Angola) illustrate a body of imagery that is developed from distortions of the social world and vestiges of the imaginary.
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Les Résidences Photographiques du musée du quai Branly-Jacques Chirac sont un programme de soutien à la photographie contemporaine, créé en 2008 par le musée. Parmi les trois lauréats 2020 on compte la photographe malienne Fatoumata Diabaté.
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Pour sa huitième édition, le cabinet de dessins contemporains DDESSINPARIS investit l’Atelier Richelieu du 16 au 20 septembre 2020.
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Dafe Oboro is part of a new generation of Africa-based storytellers. Walking the line between fashion imagery and social documentary, Oboro’s work is encompassed in the tender and benevolent humor of this talented image-maker.
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Of Soul and Joy in Thokoza, Johannesburg, is a project that seeks to empower young adults through a camera lens.
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In a country struggling to shape its identity in the wake of recent history, South African photographers have utilised their chosen medium as a tool to explore an ever-changing social and cultural climate.
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Dr. Esther Mahlangu’s monumental works immediately summon the viewer to the Melrose Gallery’s booth in the Investec Cape Town Art Fair’s PAST/MODERN section (guest-curated by João Ferreira).
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French-Beninese artist Gregory Olympio uses his abstract painting style to explore the ways in which life can be boundless, more of a feeling than something you can hold.
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Southern Guild makes its debut at this year’s edition of the Investec Cape Town Art Fair with a special project that introduces audiences to a different genre of collectible pieces.
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À l’occasion de la troisième édition de la foire d’art contemporain 1-54 Marrakech, les artistes marocains Amina Agueznay et Hicham Benohoud sont présentés côte à côte au Riad El Fenn Marrakech
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