Based in New York City, Zarita Zevallos is a trained architect who grew up in Haiti until the age of 16. Like many other young Hatians, she came to the Big Apple to attend university.
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Seven years ago, awardwinning art photographer Medina Dugger left her California home to work for the African Artists’ Foundation and LagosPhoto Festival.
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Les peintures de Sadikou Oukpedjo sont peuplées d’humains et d’animaux qui souvent se confondent et fusionnent pour faire naître des formes de vie nouvelles.
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The spatial imaginary of occupation is one of a cultural war. The work of Larissa Sansour draws our attention to the urgent experimentations in survival that take shape within a landscape of collective revisioning and refusal.
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The work of Cape Town based artist Igshaan Adams can be understood as an ongoing investigation into his personal hybridity.
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There is an interesting, dichotomous interplay that fascinates about the presentation of work by Burundi-born, Johannesburg-based artist, Serge Alain Nitegeka.
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The varied drawings, videos, objects, and site-specific installations that comprise Pascale Marthine Tayou’s expansive practice are threaded together by his mysteriously dreamy perspective.
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Troy Makaza fait partie de cette nouvelle génération d’artistes, avide de renouveler les codes et d’exprimer son rapport au monde actuel.
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Usha Seejarim and Lungiswa Gqunta discuss the use of the found or domestic object in their practices. Such objects are loaded with social and economic meaning in the wake of South Africa’s racist and patriarchal history.
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In this conversation – mediated between Dakar, Cape Town, and Lagos – Senegalese artist, Omar Ba and Elana Brundyn of the Norval Foundation reflect on how artists and institutions collaborate
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